{
  "title": "Film production shot and release records for AI",
  "source_page": "https://fiund.com/industries/film-production-shot-provenance-data",
  "authorship": "Original fictional Fiund editorial exercise. No actual operating records or third-party source assets are included.",
  "example": {
    "title": "An export's rights check must follow its source frame range",
    "context": "Original prop shots use invented file IDs and a frame-based rights register. A dummy graphic represents an out-of-scope element without including protected footage or artwork.",
    "records": [
      [
        "FP1",
        "Source-shot inventory",
        "RAW-A: 100 frames at 25 fps; practice release covers frames 0–49 for use U. Frames 50–99 show an excluded dummy graphic."
      ],
      [
        "FP2",
        "Export map",
        "CUT-X maps RAW-A frames 20–39; CUT-Y maps RAW-A frames 40–59."
      ],
      [
        "FP3",
        "Second original shot",
        "RAW-B has separate performer permission pending. Its camera-file ownership field says producer-owned."
      ]
    ],
    "question": "Which export lies wholly inside the stated RAW-A grant, and does producer ownership alone clear RAW-B or CUT-Y's graphic frames?",
    "answer": "FP1 and FP2 place CUT-X entirely within permitted frames 20–39. CUT-Y spans 40–59, including excluded frames 50–59, so it is not wholly covered by that grant. FP3's producer-ownership field does not resolve its separate pending performer permission. Preserve raw-to-export frame mapping and element-specific states instead of treating file ownership or a partly allowed range as clearance of every frame.",
    "failureModes": [
      "Clearing CUT-Y because its first frame falls inside the allowed range.",
      "Treating camera-file ownership as the missing performer or graphic permission."
    ],
    "fields": [
      [
        "Source file and frame rate",
        "Defines the original timeline."
      ],
      [
        "Export-to-source frame map",
        "Makes each derivative's content traceable."
      ],
      [
        "Element and use-specific permission",
        "Keeps separate contributors and visible materials in scope."
      ]
    ],
    "holdout": "Retain the same export duration but remap it to RAW-A frames 60–79. Require a new range check rather than assuming the earlier CUT-X result transfers.",
    "boundary": "Use original prop footage and dummy registers. Exclude client media, unrelated likenesses, music and third-party artwork; confirm each actual source's rights separately."
  }
}